ATEEZ stays strong on Billboard 200 for second week as ‘GOLDEN HOUR : Part.4’ drives global success

ATEEZ continues its global chart dominance, with its 13th mini album holding a top position on the Billboard 200 for a second consecutive week while breaking multiple international records.

According to the latest chart released by Billboard on February 24 (local time),
GOLDEN HOUR : Part.4, which dropped on February 6, ranked No.18 on the Billboard 200.

The achievement follows a No.3 debut in its first week — the group’s biggest U.S. album sales week to date — proving that the momentum behind the release is not slowing down.

Consistent performance beyond the debut week

Rather than showing a sharp drop after its initial entry, the album has maintained a strong position, reflecting ATEEZ’s stable global fandom and sustained demand in the U.S. market.

Across Billboard’s detailed charts, the project continues to demonstrate its strength, topping the World Albums chart and ranking near the top of both the Top Album Sales and Top Current Album Sales charts. The group also secured a solid position on the Artist 100, confirming its overall impact as a global act.

The title track “Adrenaline” is performing alongside the album, charting on both the World Digital Song Sales and Hot Dance/Pop Songs rankings for a second consecutive week.

A record-breaking Billboard history

With this release, ATEEZ has now placed six consecutive albums inside the Billboard 200 Top 3 and a total of eight albums in the Top 10, extending one of the most consistent chart runs among K-pop groups in recent years.

The group’s performance is not limited to the United States.

The album has also appeared on:

Japan’s Oricon chart,
the UK Official charts,
and multiple global rankings,

further reinforcing its “world-class” status.

World tour momentum continues across Asia-Pacific

The group is currently taking that global success back to the stage through its ongoing world tour IN YOUR FANTASY.

Upcoming stops include:

Melbourne and Sydney in early March,
Manila, Kuala Lumpur, and Macau later in the month,
followed by Bangkok in April.

The tour connects directly with the album’s chart performance, creating a cycle in which live stages fuel streaming and sales while chart visibility expands the audience for the concerts.

ATEEZ’s position in the global K-pop landscape

What stands out about this era is not just a high debut ranking, but the consistency that follows.

Maintaining a strong position in the second week, expanding chart presence across multiple regions, and continuing a large-scale world tour at the same time shows a level of stability that only a few K-pop acts have achieved.

For ATEEZ, GOLDEN HOUR : Part.4 is not just another successful release.

It is another step in a long-running global peak.