Tame Impala and BLACKPINK’s Jennie have officially confirmed their long-rumored collaboration, announcing a remix of Kevin Parker’s hit single ‘Dracula’, set for release on February 6.

Speculation surrounding the remix began after fans noticed a subtle but deliberate change to the description of the original ‘Dracula’ music video on YouTube. A lyric reference originally mentioning Parker was quietly altered to include Jennie’s name a move that immediately ignited online discussion.
Jennie’s independent label, Odd Atelier, further fueled anticipation by posting a minimalist pre-save link without context. Around the same time, Parker was photographed wearing official Jennie merchandise, a detail that fans interpreted as another intentional hint. The confirmation on February 3 put an end to the guessing, formally uniting the Australian psychedelic pop project with one of K-pop’s most globally recognized artists.
The remix arrives at a peak moment for ‘Dracula’, which has become the most commercially successful single of Tame Impala’s two-decade career.
Released on September 26, 2025, as the third single from Parker’s fifth studio album ‘Deadbeat’, the track marked Tame Impala’s first-ever entry on the Billboard Hot 100, debuting at No. 55. It later reached No. 1 on Mediabase’s alternative radio airplay chart during the January 25–31 tracking period.
Beyond traditional charts, ‘Dracula’ also placed third on Triple J’s Hottest 100 of 2025 and earned a nomination for Favorite Australian Music Video at the 2026 AACTA Awards. During Halloween weekend, the song experienced a major streaming surge, positioning it as a new seasonal staple alongside long-standing classics.

The collaboration stands out as a rare intersection between psychedelic pop and K-pop, two genres that rarely overlap despite shared emphasis on production innovation and visual storytelling.
Industry observers note that recent genre-crossing projects including Rosé’s global hit ‘APT.’ with Bruno Mars have demonstrated the commercial and cultural viability of such partnerships when both artists retain their distinct identities.
With ‘Dracula’ already leaning toward club-oriented accessibility, Jennie’s presence is expected to add a new dimension rather than redefine the track entirely.