Hwasa Sweeps Four Circle Chart Categories with ‘Good Goodbye’

January 2026’s Circle Chart results highlighted a wide spectrum of K-pop powerhouses, but one name stood out across multiple digital indicators, Hwasa.

Her track Good Goodbye claimed four No. 1 titles, proving not just chart strength but sustained public resonance.

A Four-Crown Moment in Digital Dominance

Hwasa’s Good Goodbye topped the Digital Chart with a Circle Index score of 68,283,975. The song also secured first place on the Streaming Chart, V Coloring Chart, and Ringtone Chart, earning her a rare four-category sweep.

The track, which delivers a heartfelt farewell to a deeply loved partner, resonated strongly with listeners through Hwasa’s signature emotional vocal tone. Its steady climb and continued replay value underscore what many describe as her ability to transform raw emotion into mainstream appeal.

Rather than relying solely on initial buzz, the song demonstrated sustained engagement across multiple consumption platforms.

A Month Defined by Diverse Chart Leaders

While Hwasa led the digital field, other artists dominated in different sectors of the January rankings.

On the Global K-pop Chart, “Golden” by HUNTR/X, EJAE, AUDREY NUNA, REI AMI, and the KPop Demon Hunters cast extended its streak to seven consecutive months at No. 1. The Netflix OST track has maintained long-term global traction.

ENHYPEN captured both the Album Chart and Download Chart with THE SIN : VANISH and its title track “Knife,” marking a double win for the group’s new series era.

Meanwhile, EXO topped the Retail Album Chart with REVERXE – The 8th Album, recording 501,667 retail sales. The album reaffirmed the group’s enduring physical sales power.

Social Metrics and Cross-Generational Appeal

In the Social Chart 3.0 rankings, ILLIT secured first place, reflecting strong digital buzz. Veteran group Apink showed the largest ranking increase, signaling continued relevance across generations.

The January results illustrate how different segments of K-pop — soloists, established groups, rookies, and OST projects — are simultaneously shaping the market.

Why Hwasa’s Win Matters

Among these varied achievements, Hwasa’s four-title sweep stands out for its cross-platform consistency.

Digital, streaming, and mobile personalization charts reflect real-time listening behavior rather than just one-time sales spikes. Her dominance across these categories suggests deep audience connection rather than temporary virality.

With Good Goodbye, Hwasa once again demonstrated that emotional authenticity can translate directly into measurable chart performance.

As 2026 unfolds, her January performance sets a strong precedent — not just for solo artists, but for how sustained resonance can outperform short-term hype.