Seoul is turning into a full-scale celebration zone for V as fans across the world launch massive offline support projects to mark his highly anticipated comeback. From iconic city landmarks to one of the busiest airports in Asia, V’s presence is now impossible to miss.
One of the most eye-catching projects is happening at KT Square in Gwanghwamun, a landmark known for its massive digital billboards.
V’s Chinese fanbase, often referred to as Baidu V Bar, secured all four available ad slots as soon as they opened in February. The result is a high-impact visual takeover featuring double-sided screens covering approximately 1,770㎡.
What makes this even more impressive is the frequency. While standard ads run around 70 times per day, V’s comeback video is being broadcast up to 140 times daily, doubling the usual exposure and turning the area into a must-visit spot for fans.

The project doesn’t stop at one location. V’s comeback ads are now spreading across central Seoul, including areas near Cheonggyecheon and major subway exits.
Bus shelters near Gwanghwamun Station and large building screens in high-traffic zones are also part of the campaign. These locations were strategically chosen for their dense foot traffic, ensuring both locals and tourists encounter the celebration naturally throughout their day.
This kind of placement highlights how K-pop fan culture has evolved into something closer to a city-scale marketing strategy, fully powered by fandom.
The scale expands even further at Incheon International Airport, where 246 digital screens are displaying V’s comeback content.
These screens are positioned along key passenger routes, meaning travelers will see V from arrival to departure. It’s a level of exposure that rivals major global advertising campaigns, yet it’s entirely driven by fans.

In addition to digital displays, fans are also investing in offline media. A special edition magazine tied to the BTS comeback live event will include a full-page V advertisement, with around 200,000 copies distributed for free on-site.
The magazine is expected to feature exclusive jacket photos, adding another layer of excitement for fans attending the event.
This project shows how BTS’s global fandom continues to set new standards for artist support. Rather than limiting their efforts to online streaming or social media trends, fans are creating real-world impact across an entire city.
With BTS preparing for a major comeback event in Gwanghwamun, the timing of these campaigns amplifies anticipation and transforms Seoul into a live promotional stage.
For V, whose influence already spans music, fashion, and global branding, this level of support reinforces one thing clearly his impact is not just global, it is visible, physical, and impossible to ignore.

As BTS gears up for their comeback activities, including the highly anticipated Gwanghwamun event, fan-driven promotions like this are expected to continue building momentum.
With offline campaigns, global attention, and massive fan coordination all aligning at once, this comeback is shaping up to be not just a return, but a city-wide cultural moment.
And if Seoul right now is any indication, fans are making sure the world is watching.